'The Nation's Gallery. The story of European art, masterpiece by masterpiece.'
www.nationalgallery.org.uk
Taking the opportunity to visit (for free) with my son the National Gallery on Trafalgar Square on Saturday 12 February 2022 was a worthwhile experience. There are some stunning art works on display. Only one though is of a worker or, in this case, a peasant woman. Not surprisingly it was painted by Van Gogh.
Back in 2018 I wrote this short piece:-
https://writemark.blogspot.com/2012/07/wot-no-workers.html
Part of the article included
Of course, this removal of the rural labourer is not unique in the history of the ruling class in the countryside.
Even 18th century landscape painter, Gainsborough said “Damn
gentleman, there is no such set of enemies to a real artist in the world as
they are!” His favourite of all his paintings was ‘The Woodman’ , an old
labourer standing beside a bundle of faggots. Such paintings didn’t sell and
his heavy debts meant he would have found it unwise to ‘stray from the happy
peasant’s cottage door to its wet and squalid interior.’ (the Long Affray by
Harry Hopkins)
Gainsborough stuck to the rich and their habitats, all suitably
bathed in light. This at a time when more than 50% of the population of England
lived in the countryside, and from which the wealth of the nation was
ultimately founded. In the Netherlands, Van Gogh showed the faces of these
people - the yokels, clod-hoppers and bumpkins - but not in England as to do so
would threaten to reveal the naked weapon of class rule in the
countryside.
Lady Jane Grey prior to her execution. She was Queen for just 9 days.
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